The third installment in the Bad Boys franchise that first started in 1995 and later with a 2003 sequel, Bad Boys for Life is a highly entertaining action comedy that revitalizes the long-running movie series anchored by the charismatic duo of Will Smith and Martin Lawrence and has a perfect mix of explosive action sequences and comedic banter between the two very different characters. The plot follows two old-fashioned police officers Detective Lieutenant Marcus Burnett, played by the very funny Martin Lawrence, who is contemplating retirement after the birth of his grandson and Detective Lieutenant Mike Lowrey, played by action super star Will Smith, who still wants to remain a cop and has no desire to settle down with a family. Their long-serving boss Captain Conrad Howard, played by character actor Joe Pantoliano, assigns Marcus and Mike to the newly-created tactical division AMMO led by Mike’s ex-girlfriend and well-respected lieutenant Rita, played by Paola Núñez. Being part of the joke about their age, the team is made up of younger police officers with technological knowledge and include a character who is played by Vanessa Hudgens. Their mission is to help solve the murders of several law enforcement officers involved in a drug cartel case years ago and track down the suspected killer Armando, played by Jacob Scipio, whose mother Isabel, played by Kate del Castillo, is a ruthless drug cartel leader living in Mexico City. Like its predecessors, the movie is filled with over-the-top action sequences in which gun battles and explosions are going off all over the place throughout the city of Miami and eventually Mexico. Things go terribly wrong for both Marcus and Mike that make them reconsider retirement and think about their future lives together and with family. In between the thrilling action scenes, Will Smith and Martin Lawrence are perfect as buddy cops as a result of their believable chemistry and hilarious rapport in which they make fun of one another but no matter what see themselves as brothers. The movie was a nostalgic look back on the 1990s and early 2000s when theaters were filled with action comedies, including the original Bad Boys and other action flicks starring Martin Lawrence. Overall, I found it to be a first-rate action comedy that is much better than the original two versions of the Bad Boys franchise as a result of its effectively timed action and comedy that makes for a fun and exciting blockbuster movie.
Produced by Blue Sky Studios best known for the highly successful animated Ice Age franchise first released in 2002, Spies in Disguise is a delightfully entertaining family-friendly animated movie that is of the same quality as a Pixar movie as a result of a terrific voice cast and unique story. The plot follows super spy Lance Sterling, voiced by Will Smith, who is the top agent at a fictional secret American spy agency run by Joy Jenkins, voiced by Reba McEntire, but runs into trouble after the appearance of the super villain Killian, voiced by Ben Mendelsohn. Killian who has a powerful cybernetic arm is trying to steal a highly dangerous drone in order to kill Lance and all of his fellow agents. Eventually, the proudly self-sufficient Lance who loves to use lethal weapons must get help from a very unexpected source, a lonely and nerdy weapons lab technician named Walter Beckett, voiced by Tom Holland. Walter has always been an optimistic inventor who wants to make non-lethal weapons to make the world a safer place, and he discovers what he believes is a game-changing way to disguise anyone. To Lance’s great horror, he inadvertently uses Walter’s new weapon and is transformed into a talking pigeon. He eventually realizes in a series of funny moments that being a pigeon actually has its advantages, particularly as he is being chased by Killian and his own agency led by a security agent of the agency’s internal affairs Marcy Kappel, voiced by Rashida Jones. Over the course of the film, Walter and Lance begin to understand one another and become friends who are in it together to fight off Killian and reclaim their reputation that was tarnished by Killian. Overall, I found it to be a fun animated feature that can appeal to both kids and adults as a nice time to the cinema and brings a fresh story to the action-adventure animated genre.
The final installment in the nine-part Skywalker saga of the Star Wars movie franchise that has spanned over four decades beginning with Star Wars: A New Hope in 1977, Star Wars: The Rise of Skywalker, although definitely not the best film in the series, is a suitably entertaining movie that will appeal to Star Wars fans for its attempt to wrap up all of the many different character narratives and also will attract casual viewers looking for a CGI space epic. The movie takes place in the midst of the Resistance against the First Order led by a mysterious leader that may be recognizable from the previous films, as well as the increasingly powerful Kylo Ren, played by Adam Driver. The characters that we have come to know over the previous two movies return as they are shown strategizing and bringing the fight to finally take down the even more malevolent First Order. General Leia Organa, played by the late great Carrie Fisher, is still the beloved leader of the Resistance along with the more symbolic leader Rey, played by Daisy Ridley, who finally masters the Jedi Force. Rey again teams up with the X-wing fighter pilot Poe, played by Oscar Isaac, and the former Stormtrooper Finn, played by John Boyega, to discover the whereabouts of the true evil overlord behind Kylo Ren who has one last major weapon that could destroy the Resistance and its supporters for good. Of course, a Star Wars movie would not be the same without the sidekicks Chewbacca, C-3PO, and R2-D2 who appear as members of this desperate mission. In order to please Star Wars fanatics, the film effectively uses the tropes of a Star Wars movie by including spectacular sci-fi action in space and on strange planets, showing the return of some of the more unique creatures, and finally answering such questions as who Rey’s parents are and who is really commanding the First Order. This final installment could have been one of the greatest if it was not for the feeling the filmmakers were rushing to find a way to conclude the long-running series that would give fans a satisfying conclusion to the Skywalker narrative arc. Yes, there are some emotional moments of the film, including the complex relationship between Rey and Kylo Ren in addition to a proper farewell to Carrie Fisher’s Princess Leia. The filmmakers did an excellent job of bringing Princess Leia back by using unused footage from the previous films that were filmed before Carrie Fisher’s death in 2016; the reappearance of such a beloved character made her scenes the most meaningful and sentimental parts of the movie. Overall, I found it to be a good continuation of the global phenomenon that is Star Wars by trying to tie up the loose ends of such a large cinematic universe developed over several decades, but it still did not live up to the very high standards of the first Star Wars movies made in the 1970s and 1980s.
The sequel to 2017’s Jumanji: Welcome to the Jungle that is a reboot of the 1995 movie Jumanji starring Robin Williams, Jumanji: The Next Level is a very entertaining and fun adventure movie that relies on recapturing the magic of the 2017 version of the Jumanji franchise, with its creative plot and funny characters. Like Jumanji: Welcome to the Jungle, the same group of now college-age students find themselves sucked into the video game Jumanji after realizing that the nerd in the group Spencer has possibly entered the game by himself. However, some of the characters become different avatars in the video game, as well as the addition of two new characters of Spencer’s grandfather Eddie, played by Danny DeVito, and Eddie’s old friend Milo, played by Danny Glover. Due to all of their hilarious surprise, the grumpy Eddie becomes the strong archaeologist and explorer Dr. Smolder Bravestone, played by Dwayne Johnson, the slow talking Milo becomes the scrawny and squeamish zoologist and weapons valet Franklin “Mouse” Finbar, played by the hyperactive comedian Kevin Hart, the popular jock “Fridge” becomes the obese middle-aged archaeologist and cartographer Professor Sheldon “Shelly” Oberon, hilariously played by Jack Black, and the shy unpopular girl Martha remains the attractive commando and martial artist Ruby Roundhouse, played by Karen Gillan. While searching for Spencer in the Jumanji world, they are given a new mission that must be completed to return to the real world: retrieve the Falcon’s Heart jewel from the powerful villain Jurgen the Brutal, played by Rory McCann best known as The Hound in the HBO TV series Game of Thrones. Eventually, the very mismatched group reunite with the beautiful popular girl Bethany who was left behind but found her way back into the game as a horse named Cyclone with help from the pilot and adventurer Jefferson “Seaplane” McDonough, played by Nick Jonas. They also finally discover Spencer as a new and rather unexpected avatar and says he wanted to re-enter Jumanji because he feels out of place in the real world and estranged from his friends, especially Martha after they started a long-distance romantic relationship. Extremely similar to the previous installment, the film uses the effectively fun formula of creating eccentric characters who find themselves in rather hilarious situations dealing with their new bodies as they embark on a dangerous adventure. Overall, I found it to be a highly entertaining blockbuster movie that may have recycled the same premise as the previous movie but did so in a way that did not lessen the audience’s enjoyment and was helped by the addition of Danny DeVito and Danny Glover.
Directed by James Mangold best known for 2005’s Walk the Line and 2017’s Logan, Ford v Ferrari is a brilliant car racing movie remarkable for its terrific acting performances, entertaining story, and thrilling race sequences, all adding up to a film that can be enjoyed even by those who do not care for cars or racing. Based on a true story, the plot follows Ford Motor Company’s pursuit of winning their first 24 Hours of Le Mans race and finally overtaking the dominance of Ferrari. Ford Vice President Lee Iacocca, played by Jon Bernthal, pitches the idea in 1963 of creating a competitive racing team to Ford CEO Henry Ford II, played by Tracy Letts, as a means to appeal to the younger generation of car buyers, and he approaches famed car designer Carroll Shelby, played by Matt Damon, to help design the car to beat Ferrari. A brilliant yet somewhat eccentric Texan, Shelby is confident that, with the right mechanics and driver, he can optimize a Ford GT40 to compete and eventually win the coveted 24 Hours of Le Mans, which he himself won in 1959 in a different car before he was forced to retire. The only problem Shelby encounters is the complicated bureaucracy of such a large company as Ford, especially as it relates to Shelby’s handpicked driver Ken Miles, played by Christian Bale. Miles is a hot-headed yet excellent British race car driver who is struggling to make a living as a mechanic in Los Angeles with his wife Mollie, played by Caitriona Balfe best known for her role in the TV series Outlander. The Ford Motor Company and its racing division led by Ford Senior Executive Vice President Leo Beebe, played by Josh Lucas, are very much against having such a wild and brash lead driver as Miles and try almost anything to get rid of him, at least in public. Amidst all the dramatic infighting, the movie is filled with truly exciting and realistic racing scenes that show exactly how difficult it is to be an endurance race car driver and the very real dangers of serious injury or death, especially during that era when safety standards were lower than today’s. Eventually, Shelby American and Ford make it to the crucial Le Mans race in 1966 where they will finally have the best chance of taking down Ferrari. Overall, I found it to be one of the best auto racing movies ever made as a result of its extraordinary intense race sequences and surprisedly in-depth character studies of the iconic automotive designer Carroll Shelby and one-of-a-kind daredevil Ken Miles, making for an extremely entertaining cinematic experience for all types of viewers.
The third film in a franchise that began with the television series of the same name that first premiered in 1976, Charlie’s Angels is a fairly typical action Hollywood Blockbuster with some entertaining moments that is above average at best and did exceed my low expectations. Like the television series and the movies, the story revolves around a group of female spies working for the secret organization known as the Townsend Agency that is comprised of all female agents under the leadership of several individuals referred to as Bosleys. We first meet Angels Sabina, played by Kristen Stewart, and Jane, played by Ella Balinska, on a mission in Rio de Janeiro for the high-level operative John Bosley, played by Patrick Stewart, who is the original Bosley working for Townsend and is about to retire. A year later, they find themselves in London to investigate a new powerful technology developed by a large tech conglomerate owned by billionaire Alexander Brock, played by Sam Claflin, after it is brought to their attention by a brilliant programmer named Elena, played by Naomi Scott. The sometimes wild and terrifically smart Sabina and the beautiful former MI6 agent Jane are told to protect Elena who has knowledge that the technology she helped develop could be used as a deadly weapon if in the wrong hands. Eventually, the agents now working directly under Rebekah Bosley, played by Elizabeth Banks who also directed the film, are led to Istanbul to track down the devices that have been stolen by criminals and people working for Brock. Coming to be trusted by the Angels and Rebekah, Elena is recruited to become a Charlie’s Angel. The movie follows very much the formula of a light-hearted comedy action flick in that it is full of intense fight sequences, lots of plot twists, and fun and silly banter between the characters. Overall, I found it to be a mildly entertaining film that had its moments of thrills and laughter but with a feminist twist through the empowering portrayal of women secret agents taking down the bad guys. It was definitely not one of the best action comedies, but I was pleasantly surprised by how much better it was than what the promotional materials led the viewer to believe.
Directed by Roland Emmerich who is best known for such Hollywood Blockbusters as 1996’s Independence Day and 2000’s The Patriot, Midway is a large-scale war action movie that heavily relies on CGI special effects to recreate the pivotal Battle of Midway during World War II but does not fully satisfy as a well-rounded movie as a result of its fairly generic script and characters. Based on true events of the beginning of the American involvement in World War II, the movie shows the devastating surprise attack on the United States Pacific Fleet at Pearl Harbor in Hawaii by the Empire of Japan. The plot follows a bunch of American characters from the top with the Commander-in-chief of the U.S. Pacific Fleet Admiral Chester Nimitz, played by Woody Harrelson, to the top intelligence officer in the region Edwin Layton, played by Patrick Wilson, and all the way down to the Naval bomber and fighter pilots, including the real life Dick Best who is played by Ed Skrein and Wade McClusky who is played by Luke Evans. Also, unlike most traditional war movies, the film also follows several key Japanese Naval commanders and officers who are shown making battle decisions based on their best interest. After the somewhat haphazard introduction to almost too many characters to keep count, the story leads up to June 4, 1942 when the Japanese engage the American military at and around the remote islands of the Midway Atoll, a strategic base that allows for closer range to the Japanese Islands. What ensues is the Battle of Midway in which American aircraft carriers and their warplanes go up against the Japanese counterparts in what would become the one of the largest naval battles of World War II. In dramatic and spectacular fashion, the movie effectively uses special effects to capture what the battle must have been like with a constant flurry of aircraft and anti-aircraft fire on both sides. The main mission of the Americans is to destroy as many of the Japanese aircraft carriers as possible in order to recapture control of the Pacific Theater after the mass destruction of the United States Pacific Fleet at Pearl Harbor. The script also does scratch the surface of the personal lives of those involved, especially the Naval pilots, but is ineffective because it comes off as cheesy and formulaic, making for unnecessary storylines to the main thrust of the movie to portray a specific battle. Overall, I found it to be a suitably entertaining war movie that does a good job of using special effects to fashion realistic and thrilling battle sequences in order to tell the important story of the Battle of Midway, but, as a whole, relies on too many characters and a rather average screenplay to truly become an iconic war movie.