Based on the video game series created by Sega and first released in 1991 as Sonic the Hedgehog, Sonic the Hedgehog is a surprisingly amusing and creative video game adaptation that has fun and thrills for the whole family and is enhanced by the terrifically manic Jim Carrey. We first meet the blue extraterrestrial hedgehog named Sonic, voiced by Ben Schwartz, escaping his home planet and living for ten years in a cave outside of the small town of Green Hills, Montana. Watching the townspeople from afar for so long, Sonic increasingly feels lonely living by himself. He particularly becomes attached to the local sheriff Tom Wachowski, played by James Marsden, and his wife Maddie, played by Tika Sumpter, but he must stay hidden and not reveal his ability to travel at supersonic speeds. However, after growing upset one night, he inadvertently creates an electromagnetic pulse that wipes out power across the entire Pacific Northwest, alerting the federal government. Unable to discover what really happened, the United States government covertly enlists the mysterious genius Doctor Robotnik, played by the perfectly cast Jim Carrey, who has a truck full of highly advanced drones and gadgets. Following the unusual power outage, Tom is horrified to find the strange-looking Sonic who is obviously from another world. The villainous Robotnik also eventually discovers Sonic and becomes obsessed with capturing Sonic in order to use his body for scientific research and develop ultra-powerful technological devices. Sonic needs the still bewildered and hesitant Tom, who is considering transferring to the San Francisco Police Department, to take him to San Francisco to retrieve a very valuable item that would allow him to escape to safety. They embark on a silly and hilarious road trip in which Tom is obviously exasperated by Sonic who will not stop talking and desperately wants to be Tom’s best friend because he has been all alone for the past few years. Along the way, the over-the-top Doctor Robotnik chases Sonic and Tom across the country in a series of bizarre and cartoonishly funny moments extremely well-suited to Jim Carrey’s slapstick comedy style. Overall, I was rather shocked to find the movie to actually be an entertaining adventure that is somehow able to recreate the energy of the title character Sonic the Hedgehog and the beloved video game series.
The follow-up to 2016’s Suicide Squad and the eighth installment in the DC Extended Universe comic book movie franchise, Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) is a visually dazzling and over-the-top violent anti-hero comic book film that is definitely one of the better recent DC adaptations as a result of the terrifically zany performance given by Margot Robbie and the new and creative approach to the story of Harley Quinn. Taking place sometime after the events of Suicide Squad, we first meet the nihilistic freewheeling Harley Quinn, played by Oscar nominee Margot Robbie, devastated by her recent breakup with the Joker and decides to become a vigilante heroine by herself. She causes mayhem throughout Gotham City and eventually finds herself pitted against the vicious criminal kingpin Roman Sionis also known as Black Mask, played by Ewan McGregor, who is searching for a missing diamond previously owned by a mob family that has secrets worth millions. As narrated by Harley in very colorful ways, the movie introduces us to other strong female anti-hero characters that will later band together and be known as the Birds of Prey. They include Dinah Lance also known as Black Canary, played by Jurnee Smollett-Bell, who is forced to be Sionis’ driver; Helena Bertinelli also known as Huntress, played by Mary Elizabeth Winstead, who wants to avenge her mob family’s murders by killing those responsible; and Detective Renee Montoya, played by Rosie Perez, who is belittled in the Gotham City Police Department and is pursuing Sionis. The flamboyantly dressed and tattooed Harley finds herself protecting a young pickpocket named Cassandra Cain, played by Ella Jay Basco, from Sionis and his sadistic henchman Victor Zsasz, played by Chris Messina, because the orphan Cassandra is in possession of the extremely valuable diamond. The acclaimed filmmaker is able to craft a wholly unique cinematic experience full of brightly colored and frenetic action sequences that are not for the faint of heart and infuse the rather bizarro movie with gallows humor. Overall, I found it to be a very entertaining and eccentric comic book movie that excels by pushing the envelope led by Margot Robbie’s extremely charismatic and wacky performance as the ultimate anti-hero Harley Quinn.
Directed by acclaimed cinematographer Reed Morano and based on the 1999 novel of the same name written by Mark Burnell, The Rhythm Section is your fairly average action flick with a quite predictable plot but is marked by a terrifically dynamic acting performance given by Blake Lively and has some beautifully shot action sequences. The story follows Stephanie Patrick, played by a gritty and emotionally distraught Blake Lively, who was a typical British citizen until she loses her entire family and eventually embarks on a vengeful and very violent mission targeting those responsible for her parents’ and siblings’ deaths in a plane crash. Officially declared a plane crash resulting from a mechanical failure, Stephanie learns from a freelance journalist that the crash was actually the work of a terrorist group who planted a bomb on the commercial airliner killing all aboard. On her own, she discovers the journalist’s confidential source is a former MI6 agent named Iain Boyd, played by Jude Law, hiding out in the remote countryside of Scotland who begrudgingly agrees to train her to be an assassin and have the skills to go after her family’s killers. Eventually, she travels around the world tracking down and killing everyone connected to the terrorist attack. Along the way, she meets several mysterious individuals, including a shadowy figure living outside Madrid, Spain who traffics in secret information named Mark Serra, played by Sterling K. Brown. Although there are several quite well-done and gripping action scenes that are clearly influenced by the filmmaker’s experience as a cinematographer with its use of frenetic camera work, the film suffers from an unnecessarily slow pace that wallows too much in the anguish and grief of Blake Lively’s very troubled character. Furthermore, the plotline, especially the ending revealing the real bad guy, is way too predictable to make for a genuinely unique action flick. Despite all of the movie’s flaws, Lively should be praised for her physically grueling and dedicated performance that feels extremely raw and realistic as if she really did live those feelings of profound loss and desire for revenge at all costs. Overall, I was fairly disappointed that it did not meet my expectations, established by the movie trailer, for a very entertaining and dramatic action thriller; even with Blake Lively’s terrific performance that could make for a turning point in her acting career, the movie is unable to really recover from the poor pacing and lack of originality.
Directed by Guy Ritchie best known for such comedy crime films as 1998’s Lock, Stock and Two Smoking Barrels and 2000’s Snatch, The Gentlemen is, for the most part, an entertaining and fast-paced gangster comedy set in London that effectively returns back to what made Guy Ritchie such a unique and brash filmmaker. The story, which can be sometimes hard to follow because of the fast-talking dialogue and alternate timelines, revolves around the criminal exploits of an American marijuana kingpin named Mickey Pearson, played terrifically by Matthew McConaughey, who is trying to sell his massive illicit cannabis empire in Great Britain. In a rather creative twist, a majority of Pearson’s story is told by Fletcher, played by the perfectly cast Hugh Grant, who is a shady private investigator hired by a British tabloid edited by the vindictive Big Dave, played by Eddie Marsan. Marked by amusing banter and bravado, the greedy Fletcher recounts the events over the course of an evening at the London residence of Pearson’s right-hand man Raymond, played by Charlie Hunnam best known for his role on the TV series Sons of Anarchy. Because they are told by an unreliable third party witness, the flashbacks shown throughout the movie are suspect at best and tell a particular story in which major details may have been excluded, which leaves the audience guessing about what is really happening. Pearson wants to get out of the business because he believes it is the right time before marijuana is legalized and to spend more time with his posh car-loving wife Rosalind, played by Michelle Dockery. In typical Guy Ritchie-fashion, the film is filled with charismatic yet foul-mouthed unsavory characters involved in the criminal underworld and who are depicted as comically over-the-top but always ready with witty puns that are rather profane. Pearson encounters difficulties as he navigates the sale of his almost half a billion dollar business to the American billionaire Matthew Berger, played by Jeremy Strong best known for his role on HBO’s TV series Succession. One such group that complicates things is Chinese gangsters led by a mysterious man named Lord George and his powerful underling nicknamed Dry Eye, played by Henry Golding best known for his role in the 2018 romantic comedy Crazy Rich Asians, who are also interested buyers that brazenly commit criminal deeds in order to reduce the sale price. The plaid-suited Colin Farrell shows up in the story as a somewhat reformed criminal simply known as Coach after a group of teenagers he is mentoring at a boxing gym break into one of Pearson’s secret marijuana growing labs. Towards the end of the movie, things get increasingly complex and at times confusing for the audience as a result of the rapid-fire script and the revelation of several big twists in the plotline that puts into question the narrative told by Fletcher who has ulterior motives for recounting the story to Raymond. Overall, although occasionally the film is slow-paced and not as flashy as one would expect from the filmmaker, I found it to be a refreshing revisit to a classic Guy Ritchie movie after a string of bad movies very much out of line with his well-known gangster comedies.
The third installment in the Bad Boys franchise that first started in 1995 and later with a 2003 sequel, Bad Boys for Life is a highly entertaining action comedy that revitalizes the long-running movie series anchored by the charismatic duo of Will Smith and Martin Lawrence and has a perfect mix of explosive action sequences and comedic banter between the two very different characters. The plot follows two old-fashioned police officers Detective Lieutenant Marcus Burnett, played by the very funny Martin Lawrence, who is contemplating retirement after the birth of his grandson and Detective Lieutenant Mike Lowrey, played by action super star Will Smith, who still wants to remain a cop and has no desire to settle down with a family. Their long-serving boss Captain Conrad Howard, played by character actor Joe Pantoliano, assigns Marcus and Mike to the newly-created tactical division AMMO led by Mike’s ex-girlfriend and well-respected lieutenant Rita, played by Paola Núñez. Being part of the joke about their age, the team is made up of younger police officers with technological knowledge and include a character who is played by Vanessa Hudgens. Their mission is to help solve the murders of several law enforcement officers involved in a drug cartel case years ago and track down the suspected killer Armando, played by Jacob Scipio, whose mother Isabel, played by Kate del Castillo, is a ruthless drug cartel leader living in Mexico City. Like its predecessors, the movie is filled with over-the-top action sequences in which gun battles and explosions are going off all over the place throughout the city of Miami and eventually Mexico. Things go terribly wrong for both Marcus and Mike that make them reconsider retirement and think about their future lives together and with family. In between the thrilling action scenes, Will Smith and Martin Lawrence are perfect as buddy cops as a result of their believable chemistry and hilarious rapport in which they make fun of one another but no matter what see themselves as brothers. The movie was a nostalgic look back on the 1990s and early 2000s when theaters were filled with action comedies, including the original Bad Boys and other action flicks starring Martin Lawrence. Overall, I found it to be a first-rate action comedy that is much better than the original two versions of the Bad Boys franchise as a result of its effectively timed action and comedy that makes for a fun and exciting blockbuster movie.
Produced by Blue Sky Studios best known for the highly successful animated Ice Age franchise first released in 2002, Spies in Disguise is a delightfully entertaining family-friendly animated movie that is of the same quality as a Pixar movie as a result of a terrific voice cast and unique story. The plot follows super spy Lance Sterling, voiced by Will Smith, who is the top agent at a fictional secret American spy agency run by Joy Jenkins, voiced by Reba McEntire, but runs into trouble after the appearance of the super villain Killian, voiced by Ben Mendelsohn. Killian who has a powerful cybernetic arm is trying to steal a highly dangerous drone in order to kill Lance and all of his fellow agents. Eventually, the proudly self-sufficient Lance who loves to use lethal weapons must get help from a very unexpected source, a lonely and nerdy weapons lab technician named Walter Beckett, voiced by Tom Holland. Walter has always been an optimistic inventor who wants to make non-lethal weapons to make the world a safer place, and he discovers what he believes is a game-changing way to disguise anyone. To Lance’s great horror, he inadvertently uses Walter’s new weapon and is transformed into a talking pigeon. He eventually realizes in a series of funny moments that being a pigeon actually has its advantages, particularly as he is being chased by Killian and his own agency led by a security agent of the agency’s internal affairs Marcy Kappel, voiced by Rashida Jones. Over the course of the film, Walter and Lance begin to understand one another and become friends who are in it together to fight off Killian and reclaim their reputation that was tarnished by Killian. Overall, I found it to be a fun animated feature that can appeal to both kids and adults as a nice time to the cinema and brings a fresh story to the action-adventure animated genre.
The final installment in the nine-part Skywalker saga of the Star Wars movie franchise that has spanned over four decades beginning with Star Wars: A New Hope in 1977, Star Wars: The Rise of Skywalker, although definitely not the best film in the series, is a suitably entertaining movie that will appeal to Star Wars fans for its attempt to wrap up all of the many different character narratives and also will attract casual viewers looking for a CGI space epic. The movie takes place in the midst of the Resistance against the First Order led by a mysterious leader that may be recognizable from the previous films, as well as the increasingly powerful Kylo Ren, played by Adam Driver. The characters that we have come to know over the previous two movies return as they are shown strategizing and bringing the fight to finally take down the even more malevolent First Order. General Leia Organa, played by the late great Carrie Fisher, is still the beloved leader of the Resistance along with the more symbolic leader Rey, played by Daisy Ridley, who finally masters the Jedi Force. Rey again teams up with the X-wing fighter pilot Poe, played by Oscar Isaac, and the former Stormtrooper Finn, played by John Boyega, to discover the whereabouts of the true evil overlord behind Kylo Ren who has one last major weapon that could destroy the Resistance and its supporters for good. Of course, a Star Wars movie would not be the same without the sidekicks Chewbacca, C-3PO, and R2-D2 who appear as members of this desperate mission. In order to please Star Wars fanatics, the film effectively uses the tropes of a Star Wars movie by including spectacular sci-fi action in space and on strange planets, showing the return of some of the more unique creatures, and finally answering such questions as who Rey’s parents are and who is really commanding the First Order. This final installment could have been one of the greatest if it was not for the feeling the filmmakers were rushing to find a way to conclude the long-running series that would give fans a satisfying conclusion to the Skywalker narrative arc. Yes, there are some emotional moments of the film, including the complex relationship between Rey and Kylo Ren in addition to a proper farewell to Carrie Fisher’s Princess Leia. The filmmakers did an excellent job of bringing Princess Leia back by using unused footage from the previous films that were filmed before Carrie Fisher’s death in 2016; the reappearance of such a beloved character made her scenes the most meaningful and sentimental parts of the movie. Overall, I found it to be a good continuation of the global phenomenon that is Star Wars by trying to tie up the loose ends of such a large cinematic universe developed over several decades, but it still did not live up to the very high standards of the first Star Wars movies made in the 1970s and 1980s.