Co-written and directed by Destin Daniel Cretton best known for 2013’s Short Term 12 and 2017’s The Glass House, Just Mercy follows the template of a rather typical legal drama that rises above the rest through its emotionally powerful moments brought to life by a terrific cast telling a true story. The plot revolves around a recent Harvard Law graduate named Bryan Stevenson, played by Michael B. Jordan in one of his best performances, who decides to move to Montgomery, Alabama in the late 1980s to set up a pro bono legal organization to help Alabama inmates get off death row. With the help of a local activist who is played by Oscar winner Brie Larson, the passionate Stevenson creates the Equal Justice Initiative out of a sense of idealism in what he quickly discovers is a very hostile environment to pursue legal justice for death row inmates, especially African American men, in the historically racial discriminatory South. At first, he encounters resistance from the incarcerated individuals themselves who have largely given up on the judicial system to give them a reprieve from the death penalty. Eventually, Stevenson is able to convince Walter McMillian nicknamed Johnny D., played by Oscar winner Jamie Foxx in one of his best recent performances, to fight his flawed conviction and sentencing to death for the murder of a young white woman in the small town of Monroeville, Alabama in 1987. Stevenson, whose 2014 memoir of the same name is the basis for the film, works tirelessly to overturn what he soon realizes is McMillian’s wrongful conviction; as an African American from an impoverished rural community himself, Stevenson struggles personally with the case because he knows he could have been treated just like McMillian. The filmmaker does a good job of recreating the real courtroom drama that took place over several appeals and trials to exonerate McMillian. Outside of the legal process in Alabama that still is full of systemic racism, Stevenson, along with Brie Larson’s unfortunately underdeveloped character, must also deal with the outside world in which they often face death threats and menacing police officers following them. As the audience sees through Jordan’s excellent acting and ability to develop the character, Stevenson is clearly burdened by the unjust treatment of inmates who he gets to know on a personal level and sheds several layers of his optimism in the face of such adversity. Overall, I found it to be a thought-provoking drama that delves deep into the contentious issue of the death penalty and particularly how it relates to racial discrimination; the movie quite effectively presents the problems with the justice system by telling a true story with talented actors able to convey the story’s impactful message.

Directed by critically acclaimed independent filmmaker Todd Haynes best known for 2002’s Far from Heaven and 2015’s Carol, Dark Waters is a riveting legal thriller about one corporate defense attorney switching sides to pursue justice by fighting the large chemical company DuPont that has been poisoning a West Virginia community. The movie, which is based on a true story, is especially powerful as a result of its terrific acting and thoughtful chronicle of a more than 20-year legal battle that is still ongoing. The film begins in 1998 when we first meet attorney Robert Bilott, played by Mark Ruffalo, as a rising star at his large Cincinnati-based law firm working as an environmental lawyer defending corporations. However, his life and work are turned upside down when West Virginia farmer Wilbur Tennant, played by Bill Camp, asks for help after he discovers widespread poisoning of his cattle that he suspects is the result of a nearby DuPont chemical plant dumping toxic waste. At the hesitancy of his law firm and boss Tom Terp, played by Tim Robbins, because they defend corporations like DuPont, Bilott begins a decades-long legal crusade against DuPont after his in-depth investigation reveals that they have been using the toxic chemical PFOA in the production of Teflon without ever disclosing it to the public and environmental government agencies. Fighting such a dominant and powerful group as DuPont takes a heavy personal toll on the soft-spoken and mild-mannered Bilott whose wife Sarah, played by Anne Hathaway, feels that the case is taking over his life and preventing him to spend time with his young family. Despite all of these struggles, he continues and eventually starts a class action lawsuit comprised of the public living around Parkersburg, West Virginia who are being subjected to the chemical in their drinking water. At the same time, his legal team expands and later includes a local West Virginia attorney who is played by Bill Pullman. Mark Ruffalo does a remarkable job of displaying the sheer tenacity of the real life hero Bilott who pursues justice at all costs as long as it will take until he feels DuPont cleans up their act and gets rid of PFOA. Overall, I found it to be a truly powerful film that tells a horrific true story of a corporation disregarding the public in favor of profits and how a otherwise normal lawyer decides to do the right thing and stands up to such a Goliath of industry. It is especially intriguing that a director such as Todd Haynes who is best known for intimate artsy independent films felt so strongly about telling the story that he would decide to direct a movie largely outside of his scope.

Directed by Rupert Goold best known for English theatrical productions and the 2015 movie True Story, Judy is an excellently crafted and sobering glimpse of the final months of actress and singer Judy Garland’s tumultuous life, and the film is brought to life by the truly extraordinary performance given by Renée Zellweger. A majority of the movie revolves around her final set of shows given in 1969 in London after facing several professional setbacks back home in the United States, but Judy’s story is also fleshed out with a series of flashbacks at the height of her child stardom around the time of The Wizard of Oz. As a result of her notoriously difficult behind-the-scenes behavior related to her substance abuse, she is practically in financial ruin and unable to get any sort of gig at the beginning until she is encouraged to perform in England where she is still beloved. She reluctantly leaves her son and daughter with their father and her ex-husband Sidney Luft, played by Rufus Sewell, in Los Angeles despite her unhealthy attachment to her children who she would use to perform with her. Greatly worrying her agent, the show promoter, and her British handler and assistant who is played by Jessie Buckley, Judy constantly shows up late to her sold-out crowds and dismisses rehearsals and spends most of her time in her hotel suite acting bizarrely and in a state of confusion. We learn she is addicted to a wide variety of medications, primarily as a result of her abusive treatment as a child star by the MGM studio head Louis B. Mayer. While working at MGM, she was often forced to working long hours and eat very little in order to maintain her status as a major star. Overall, I found it to be a terrific movie showcasing Renée Zellweger in an Oscar-worthy performance vividly showing that Judy Garland was sadly in a terrible state towards the end of her much celebrated life and greatly struggled with substance abuse and depression.