Aquaman

The sixth installment in the DC Extended Universe comic book movie franchise first started in 2013 with Man of Steel, Aquaman is yet another superhero movie that is stuffed with an overabundance of CGI but slightly departs from the many others by embracing the fun and silliness of the genre. The movie begins in 1985 on the remote coast of Maine when the lighthouse keeper Thomas Curry rescues the mysterious Atlanna, played by Oscar winner Nicole Kidman, who is discovered to be the underwater princess of the mythical world of Atlantis. They have a child together named Arthur, but Atlanna is forced to leave her family to return to her father who is the king of Atlantis. As he grows up with his father and is occasionally trained by an advisor of Atlantis named Vulko, played by Oscar nominee Willem Dafoe, Arthur, played by Hawaiian actor Jason Momoa, learns he has great superpowers as a half-Atlantean who can swim fast underwater without having to breathe air. At this point, the movie follows the typical formula of a superhero origin story in which the protagonist plays with his newfound powers and eventually discovers he could use his very special skills for good by saving sailors and fishermen. Aquaman, which becomes Arthur’s superhero alter-ego, enjoys a relatively peaceful life on the surface world until his half-brother Orm, played by Golden Globe nominee Patrick Wilson, sees him as a threat to his legitimate claim to the throne of Atlantis. Orm has a stereotypically villainous plan to overtake rulership of all the seven underwater kingdoms by starting a war with the surface world and humans who are polluting the oceans. Over time, Aquaman is joined by the beautiful Atlantean Mera, played by Amber Heard, who is originally betrothed to Orm by one of the other rulers who happens to be her father, played by Dolph Lundgren. Over the course of the spectacular and quite frankly over-the-top underwater CGI sequences, Aquaman along with his new love interest Mera fight to save both the underwater and surface worlds from the destructive designs of his half-brother. In addition to the surrealistic visuals in which sea creatures come to life, the script, with its self-referential humor and quite silly jokes, lends the movie a certain quality of not taking itself too seriously and thereby promoting the inherent ridiculousness of the story. This aspect of purposely pointing out the ludicrous nature of what takes place on screen helps the movie overcome simply being just another bad attempt at exploiting the superhero genre to make a boatload of cash. Overall, I found it to be an entertaining film that, despite its generic stereotypes, makes for an enjoyable distraction from reality, led by a charismatic actor who truly looks the part of Aquaman.

Spider-Man: Into the Spider-Verse

A follow-up to the six Spider-Man movies made since 2002 starring three different actors in three separate series, Spider-Man: Into the Spider-Verse is yet another installment in the Spider-Man comic book franchise that is justifiably the best film as a result of its innovative computer animation and unique storytelling. It is a visually arresting animated feature that relies on a completely new type of CGI very much resembling the aesthetic of the actual comic books while also somehow bringing a level of unorthodox realism. Just by reading the synopsis or even watching the preview, the movie at first seems to be too unusual and convoluted to make any sense but, to my great surprise, it actually becomes one of the most memorable cinematic experiences of the year. The story follows a young black and Puerto Rican teenager living in Brooklyn named Miles Morales, voiced by Shameik Moore, who becomes infected by a radioactive spider that gives him the super powers of Spider-Man. Unexpectedly, he runs into the real Spider-Man, voiced by Chris Pine, battling the supervillain Kingpin, voiced by Liev Schreiber, who is about to unleash a particle accelerator that will open parallel universes and ultimately destroy New York City. As a result of the accelerator’s partial activation, Miles encounters several other iterations of Spider-Man from other parallel universes, including the out-of-shape and depressed Peter B. Parker, voiced by Jake Johnson. Parker reluctantly helps train Miles to save his universe from Kingpin’s maniacal desires, and they are later assisted by Aunt May, voiced by Lily Tomlin, who introduces them to the other Spider-People from the alternate universes. The other personas are rather comical and include Gwen Stacy, voiced by Hailee Steinfeld; the talking pig Spider-Ham, voiced by John Mulaney; the old-fashioned black-and-white Spider-Man Noir, voiced by Nicolas Cage; and the anime Peni Parker, voiced by Kimiko Glenn. The fight to save all of the parallel universes and for the other Spider-Man characters to return to their worlds becomes the responsibility of Miles who must save his own world and destroy Kingpin’s cataclysmic device. While fighting to save his beloved New York City, the young Miles becomes much more confident of himself and comes to better appreciate his family, especially his father and police officer Jefferson, voiced by Brian Tyree Henry, and his troubled uncle Aaron, voiced by Mahershala Ali. Furthermore, even the sceptics, including Miles’ own father, that believe Spider-Man is a menace to society realize they have been mistaken and that really Spider-Man is the true hero of the city. Overall, I found it to be a truly engrossing and invigorating depiction of the tired Spider-Man character and is a remarkable movie for its brilliant use of a new form of computer animation and ability to reconceptualize Spider-Man as an endearing superhero that would make the late co-creater Stan Lee proud.

Bumblebee

A spin-off and the sixth installment of the Transformers movie franchise first released in 2007, Bumblebee is a refreshing take on a film series that has been largely stale and bloated the past few years. The popular franchise has been brought back to life as a result of its much better acting talent and nostalgic quality. Set in the San Francisco Bay Area in the 1980s taking place decades before the other Transformers movies, the much more personal story follows the teenage girl Charlie Watson, played by Oscar nominee Hailee Steinfeld, who feels like an outcast in her community and family after her father died years ago and her mom is now remarried. Eventually, she discovers an alien form that recently crash landed on Earth from the planet Cybertron where a civil war is raging between the Optimus Prime-led Autobot resistance and the malevolent Decepticons. With the ability to transform into any vehicle or heavy machinery, the alien robot takes the form of a 1967 yellow Volkswagen Beetle, which Charlie gets from a local junk yard . To her shock and amazement while working on it, her beloved VW magically transforms into a large robotic-like creature that turns out to be rather innocent with its loss of memory. Charlie eventually becomes friends with what she affectionately names Bumblebee, and she becomes an unwitting defender of Bumblebee from the Decepticons and a secret United States agency known as Sector 7 run by the tough Colonel Jack Burns, played by pro wrestler and actor John Cena. The government is tricked by the Decepticons to pursue Bumblebee after being told that the Autobots pose grave danger to Earth. With the help of her teenage boy neighbor who also happens to have a crush on her, Charlie tries to persuade the government forces that Bumblebee is not a threat and is in fact her very close friend. What sets the movie apart from the other action-filled Transformers movies is that it is not an over-the-top and laughably cheesy Hollywood popcorn flick designed as mindless entertainment. Surprisingly, the script is well-written and has several moments of heartfelt charm and clever nostalgic references to the 1980s. Steinfeld’s endearing performance goes a long way in crafting an entertaining film based on a line of toys first made in the 1980s and makes it feel like it is more than just a CGI-heavy movie designed to make lots of money. Overall, I was pleasantly shocked to discover that a good Transformers film is entirely possible and actually makes me look forward to the likely sequels if they are helmed by the same creative team and actors.

Mortal Engines

Co-written and produced by legendary filmmaker Peter Jackson who is best known for directing the massively popular and acclaimed Lord of the Rings and Hobbit film series, Mortal Engines is a visually arresting and creative blockbuster movie that follows in the long line of post-apocalyptic films based on young adult fiction, but, ultimately, the weak script filled with plot holes and devoid of truly compelling characters is a recipe for a massive flop. Based on the Mortal Engines novel quartet written by Philip Reeve beginning in 2001, the plot revolves around the young revolutionary Hester Shaw, played by Icelandic actress Hera Hilmar, who lives in a post-apocalyptic world in which most of humanity lives on massive mobile cities that rove the so-called Great Hunting Ground and must take over smaller settlements on wheels in order for the larger communities such as London to survive. The visuals very much reminded me of the Mad Max movies in which elaborate machines built from a hodgepodge of antiquated technology move across desolate and immense landscapes. The protagonist Hester is on a revenge mission to kill one of London’s leaders named Thaddeus Valentine, played by the only recognizable actor Hugo Weaving, who was responsible for her mother’s death years ago. At the same time, she sympathizes with the opposition Anti-Traction League whose people live on static settlements behind the Shield Wall in what used to be Asia. Rather stereotypically in movies in this genre, the young heroine must fight off evil forces who pose an existential threat to the good guys. The secretly malevolent Valentine whose own daughter Katherine does not really know his intentions is in search of Old-Tech weapons that can wipe out the Anti-Tractionists living beyond the previously impenetrable Shield Wall. Eventually, Hester along with an apprentice historian from London named Tom, played by Irish actor Robert Sheehan, team up with a revolutionary leader named Anna Fang, played by South Korean musician and actress Jihae, who pilots a fantastical aircraft. There are several other subplots involving formulaic romances and unusual guardians that, rather than adding to the story, bogs down the already messy storyline. Overall, it is a rather large disappointment for a Peter Jackson-produced fantasy movie that relies too heavily on elaborate CGI, which are rather spectacular and unique even for the genre, and whose creative imagery and premise is not done any justice by the overall poor quality of the story and acting.

Hunter Killer

Directed by South African filmmaker Donovan Marsh in his first major feature film, Hunter Killer is a subpar submarine action movie that never floats above the surface as a result of its lackluster acting performances and cheesy and extremely formulaic storyline. The plot opens with the mysterious disappearance of an American submarine off the coast of Russia in the Arctic, and the unorthodox submarine Commander Joe Glass, played by Gerard Butler, is given command of the USS Arkansas to help investigate the circumstances surrounding the USS Tampa Bay disappearance. Working from the command room in the Pentagon, Rear Admiral John Fisk, played by actor musician Common, eventually convinces the Chairman of the Joint Chiefs of Staff played by Oscar winner Gary Oldman that a possible coup by the Russian military is underway and that a nuclear war is imminent. He comes to this conclusion after the USS Arkansas reports back that the USS Tampa Bay was torpedoed and that a nearby Russian submarine was likely destroyed as a result of internal sabotage. At the hesitance of his superiors, Fisk orders a team of Navy SEALs to the Russian naval base where the Russian president has been taken prisoner by the Russian defense minister. As the submarine commanded by Glass makes its way to the same Russian base after destroying another Russian submarine that attacked them, the Navy SEALs are tasked with the very dangerous mission of rescuing the Russian president so that he can inform his military leaders not to engage with the Americans because there is a coup underway. Towards the end of the movie, the action picks up some steam when the USS Arkansas is engaged with the military forces under the command of the rogue Russian defense minister. However, caution must be taken as a direct assault on the Russian Navy would likely result in an all-out war between the Russians and Americans. The film attempts to be a blockbuster popcorn action flick but ultimately fails to live up to the name of previous submarine movies. Even the minor appearance of such a good actor as Gary Oldman cannot save the rather silly and stale action movie from drowning to the bottom of the sea. Overall, I found it to be a film that is not really worth your money and only would be if you are looking to pass the time with mild entertainment.

Venom

Directed by Ruben Fleischer best known for 2009’s Zombieland and 2013’s Gangster Squad, Venom is a surprisingly lackluster standalone superhero movie based on the Marvel Comics Spider-Man villainous character Venom, and, despite the efforts of the terrific Oscar nominee Tom Hardy, it feels very much like an unfinished project that has trouble staying on course. The plot revolves around a journalist named Eddie Brock, played by Hardy, who achieves superpowers after being infected with an alien symbiote brought to Earth by Elon Musk-like billionaire Carlton Drake, played by Emmy winner Riz Ahmed best known for his role in the 2016 HBO miniseries The Night Of. Drake is the overly ambitious CEO of a bioengineering firm called Life Foundation based in San Francisco, and he becomes so desperate in his secret research that he authorizes extremely dangerous human experiments using the alien lifeforms. At the beginning of the film, Brock is engaged to a high-powered lawyer played by Golden Globe winner Michelle Williams, but she loses her job after Brock uses some of her classified documents to help expose Drake. Brock’s suspicions about Drake are confirmed after he gets in contact with a Life Foundation scientist played by Jenny Slate who does not approve of Drake’s experiments. It is at this point that Brock is joined with one of the alien symbiotes that becomes known as Venom and develops unusual capabilities when Venom takes over his body. Drake and his army of security guards try to locate Brock and extract Venom so that it could be used for further trials. The movie then shifts into high gear with a series of CGI action sequences in which Venom talks to and takes control of Brock who is easily able to fend off the heavily-armed forces of Drake. There are elements of humor in the sarcastic interactions between the largely bewildered Brock and the malicious Venom; their relationship is a bizarre Jekyll and Hyde in which their polar opposite personalities struggle against one another. Overall, I found the movie only appealing for the performance of Tom Hardy who is one of my favorite actors, and I was quite frankly surprised at how abrupt the film ended and left the audience scratching their heads. The problem was that it did not know what kind of movie it wanted to be: a more humorous comic book adaptation like Guardians of the Galaxy or a more serious superhero movie like Christopher Nolan’s Batman trilogy.

Mission: Impossible – Fallout

mission_impossible__fallout_ver3_xlgThe sixth installment in the Tom Cruise-led Mission: Impossible film series starting with its first movie in 1996 and, in turn, based on the TV series of the same name that ran from 1966 to 1973, Mission: Impossible – Fallout is a terrific spy action thriller that is one of the best, if not the best, Mission: Impossible film as a result of its spectacular stunt work and well-written script filled with satisfying twists. The story takes place two years after the previous film and follows Ethan Hunt, played by action star Tom Cruise, who is a secret agent in the fictional American spy agency IMF, Impossible Missions Force. The mission that he chooses to accept is to recover three stolen plutonium cores that could be used for portable nuclear weapons and are in the hands of a new shadowy criminal organization known as “the Apostles” that is an offshoot of the terrorist group known as “the Syndicate” led by the now imprisoned terrorist and anarchist Solomon Lane, played by the devious Sean Harris. Ethan works with his usual team of the IMF technical field agent and comic relief Benji Dunn, played by comedic actor Simon Pegg, and the IMF agent and Ethan’s closest friend Luther Stickell, played by the muscular Ving Rhames. However, the new CIA director Erica Sloane, played by Angela Bassett, who replaced Alec Baldwin’s character Alan Hunley, now the new IMF Secretary, does not entirely trust the IMF so she sends a CIA agent and assassin named August Walker, played by Henry Cavill best known for his role as Superman, to ensure that Ethan’s team stays on mission. In order to intercept the plutonium, Ethan poses as the buyer John Lark who is told by the intermediary known as White Widow, played by Vanessa Kirby best known for her role in the Netflix series The Crown, that Ethan must help his one-time nemesis Solomon Lane break out of police custody. Ethan learns that he must rescue Lane from a heavily-guarded police motorcade in the streets of London so the audience is taken on a thrilling and intense action sequence with a car chase and gunfight. Over time, Ethan and the team discovered that not everything is as it seems and that they cannot trust certain people as working for the same side. The end of the film turns into a brilliantly executed race against time to prevent the detonation of the nuclear weapons, and Ethan finds himself on a terrifying and exciting helicopter race in order to stop a global catastrophe from happening. Overall, I found it to be one of the better action movies I have seen in a while, which can be credited to the awesome action scenes and believable acting performances, especially from Tom Cruise who is in his action superstar best.

The Meg

Directed by Jon Turteltaub who is best known for 1993’s Cool Runnings and 2004’s National Treasure, The Meg is a silly summer blockbuster about a gigantic shark and the action-filled attempts to hunt it down, making for an entertaining B-movie experience. The movie begins with the skilled deep sea scuba diver Jonas Taylor, played by action star Jason Statham, on a mission to rescue the crew of a submarine. The story continues years later after the operation did not completely succeed and follows a group of scientists working at a new underwater research facility funded by an overzealous billionaire played by Rainn Wilson. Eventually, a 75-foot-long prehistoric shark known as the Megalodon is unwittingly released. The horrific underwater monster escaped the deepest recesses of the Pacific Ocean after an exploratory mission led by Dr. Zhang, played by Winston Chao, along with his oceanographer daughter Suyin, played by Li Bingbing, and the rest of the scientists, including one played by Ruby Rose. The retired Jonas is called upon to help save members of the team who are trapped as a result of the Megalodon damaging their submersible. The thrilling and oftentimes ridiculous acts of heroics by Jonas take up most of the rest of the movie, interspersed with some rather stale cheesy moments. The number of people attacked by the shark rises throughout the film as the humongous sea creature rapidly approaches a heavily populated beach on the coast of China. Overall, I found it to be a good mindless fun cinematic experience that resembles much more of a Sharknado shark movie that does not take itself too seriously and is very much unlike the classic Jaws that relied much more on psychological and non-violent terror.

Ant-Man and the Wasp

antman_and_the_wasp_ver2_xlgThe sequel to the highly successful 2015 movie Ant-Man and the twentieth installment in the Marvel Cinematic Universe, Ant-Man and the Wasp is a highly entertaining and creative film that takes itself less seriously than a majority of the other superhero movies and thereby is filled with much more humor and fun. The story takes place several years after the original in which the protagonist Scott Lang, played by the humorous Paul Rudd, is under house arrest after a mission as his superhero alter ego Ant-Man. He is a more sympathetic and well-rounded superhero because of his poignant relationship with his young daughter and having fairly usual problems in real life. Just days before his house arrest is over, he is in clear violation by getting in contact with the brilliant inventor of the Ant-Man outfit Hank Pym, played by Oscar winner Michael Douglas, and his smart and beautiful daughter Hope van Dyne, played by Evangeline Lilly, whose superhero alter ego is the Wasp. Hank discovers there may be a way to rescue his wife Janet, played by Golden Globe winner Michelle Pfeiffer, who is stuck in the subatomic quantum realm, and he must enlist Scott to become Ant-Man again to help develop a device to enter the quantum realm. However, the trio find themselves in trouble after trying to broker a deal with the black-market dealer Sonny Burch, played by the villainous Walton Goggins, who double-crosses them in order to steal Hank’s advanced technology. To complicate things even further, they encounter the mysterious Ghost, played by Hannah John-Kamen, who is suffering from quantum and molecular instability and is desperate to find the technology to alleviate her problem. Throughout the movie as the characters engage in the typical action sequences of any comic book superhero production, Scott along with his buddies, especially Michael Peña’s character Luis, bring a certain levity to the story through their often ridiculous and hilarious antics. Much of the humor derives from the conceit of the film: the filmmakers play around with the ability of the characters to shrink and enlarge themselves and everyday objects, including an entire building shrunk down to the size of a briefcase and a life-size Pez dispenser that becomes a weapon. Overall, I found it to be one of the more enjoyable cinematic experiences found in the innumerable Marvel superhero movies as a result of its lighthearted approach while still retaining thrilling CGI-enhanced action scenes.

Jurassic World: Fallen Kingdom

The fifth installment in the Jurassic Park franchise which started with the release of the original in 1993 and was rebooted in 2015 with the first Jurassic World movie, Jurassic World: Fallen Kingdom is a fairly typical popcorn summer blockbuster that provides some over-the-top thrills but ultimately feels unnecessary and obviously cannot rise to the occasion like the original Jurassic Park directed by Oscar-winning filmmaker Steven Spielberg. Following on the heels of Jurassic World in which the revamped amusement park featuring live dinosaurs closes under disasterous conditions, a rescue operation to save the dinosaurs is underway by a team of mercenaries under the guidance of Jurassic Park’s co-founder Benjamin Lockwood, played by Oscar nominee James Cromwell, and the head of Lockwood’s foundation Eli Mills, played by the conniving Rafe Spall. Eventually, former head of the park Claire Dearing, played by Bryce Dallas Howard, and Velociraptor wrangler Owen Grady, played by Chris Pratt, are brought in to help track down the remaining dinosaurs before the island where they are kept is destroyed by a massive volcanic eruption. Like the other films, there are a few action sequences in which the characters are running away from gigantic fearsome dinosaurs and this time is further intensified as the humans try to escape as the island literally explodes in stunning CGI sequences. Towards the middle of the movie, Claire and Owen along with a small team of dinosaur advocates realize that their objective in rescuing the dinosaurs is not for entirely altruistic aims as they were initially promised. Much of the action transitions to Lockwood’s large estate in Northern California where the protagonists must fight once again to save their lives and protect the dinosaurs. As a desperate attempt to bring back nostalgia for 1993’s Jurassic Park, Jeff Goldblum’s iconic character pops up in a superfluous Congressional hearing about the dinosaur’s fate. Overall, I did find it a fairly entertaining cinematic experience that brought back memories of the original that was released during my childhood; unfortunately, it did not add much to the first film’s originality and thereby the Jurassic Park series feels like it has run its course.