A spin-off of the Ocean’s 11 trilogy first released in 2001, Ocean’s 8 is an entertaining heist movie that follows the formula of the first films but with the unique twist of having an all-female cast. The movie involves the planned robbery at the highly fashionable Met Gala in which a 15 million dollar diamond necklace is to be stolen from a pretentious actress named Daphne, played by Oscar winner Anne Hathaway. The elaborate heist is devised by the sister of Danny Ocean, played by George Clooney in the trilogy, Debbie, played by Oscar winner Sandra Bullock, who was just released from prison after 5 years. Like almost all heist movies, the beginning introduces the audience to the cast of characters making up the team: Oscar winner Cate Blanchett plays Debbie’s former partner-in-crime Lou, Emmy winner Mindy Kaling plays the jeweler Amita, Golden Globe winner Sarah Paulson plays the surburban mom and stolen goods salesperson Tammy, Oscar nominee Helena Bonham Carter plays the disgraced fashion designer Rose, Grammy winner Rihanna plays the hacker Nine Ball, and Awkwafina plays the pickpocket Constance. The rest of the movie follows the group as they get ready for the heist that involves penetrating the high security surrounding the extremely valuable Cartier diamond necklace and the Metropolitan Museum of Art on its most glamorous and exclusive night. The film is a fairly rudimentary heist movie complete with unexpected events that could derail a successful operation and surprise twists of who else is involved. What sets it apart is its female focus by having the protagonists be highly capable women who target an over-the-top high fashion event full of self-absorbed socialites and actresses. Overall, I found it to be an enjoyable cinematic experience that provides mindless entertainment, but it falls short of the original Ocean’s 11 and its sequels that helped redefine the heist narrative.
Directed by Morgan Neville who won the Academy Award for Best Documentary Feature for 2013’s 20 Feet from Stardom, Won’t You Be My Neighbor? is an excellent documentary about the remarkably kind children’s television host Fred Rogers and provides insight into what inspired him to create the iconic television program Mister Rogers’ Neighborhood. When the low-budget family-friendly show debuted on Pittsburgh public television in 1968, nobody could foresee the impact that the soft-spoken ordained minister Fred Rogers would have on children’s programming and the education of young minds through such a new medium as television. The documentary gives an insider’s look into Mister Rogers by interviewing cast and crew members as well as his children and surviving wife who describe his personal life reflective of his on-screen persona as a gentle and patient man who truly cared about children. Because of his profound influence on the millions of people who grew up with his breakthrough show that premiered its last episode in 2001, the film is at times emotional for the audience by bringing back such heartwarming and joyous memories to life. In a day in age in which several iconic personalities have let down audiences after the revelation of egregious moral failings, it is refreshing to see a movie about a honest-to-goodness wonderful human who always presented his true inner self and simply wanted to do what was best for others. As presented by the documentary, there were times when Fred Rogers struggled and felt the obligation to discuss rather depressing topics with his young audience, including the assassination of Bobby Kennedy in 1968. Overall, I found it to be a truly fascinating glimpse into the life of Fred Rogers and his passion for creating Mister Rogers’ Neighborhood, and I would highly recommend it to anybody who watched Mister Rogers or simply looking for a heartwarming story about a positive figure during such a divisive time in our country.
Written and directed by Drew Pearce who was one of the writers for 2013’s Iron Man 3 and 2015’s Mission: Impossible – Rogue Nation, Hotel Artemis is an entertaining and stylish action thriller with the hallmarks of a midnight B movie and a surprising all-star cast. Set in dystopian Los Angeles in the near future, the story revolves around a secret hospital for criminals that becomes the refuge for outlaws from the intense violent riots enveloping the entire city. The hospital, which is located on the top floor of a vintage old world hotel, is run by a rules-bound and efficient nurse, played by Oscar winner Jodie Foster in her first role since 2013. A large muscular orderly nicknamed Everest, played by Dave Bautista, is the only other person working at the futuristic hospital, and he is sometimes enlisted as the enforcer. On a particularly busy night, the Artemis is filled with a variety of dangerous criminals who only behave because of the rules enforced while in the hospital. It begins with a pair of bank robbers, one played by Emmy Award-winning actor Sterling K. Brown, who escaped a botched robbery while being pursued by the police. The other patients include a world-class assassin, played by Sofia Boutella, and a wisecracking criminal, played by Charlie Day. Things get increasingly complicated and violent with the arrival of the so-called Wolf King, played by Jeff Goldblum, who is the criminal overlord of Los Angeles and is accompanied by his obsequious son, played by Zachary Quinto. Foster’s character is trying to keep everyone happy and allow Hotel Artemis to continue running smoothly while she also has to deal with her anxiety deriving from the traumatic memory of losing her son. Overall, I found it to be an exciting and fun action flick that is notable for its unique vision of a dystopian future in which medical technology advances, but society as a whole collapses.
Written and directed by Golden Globe-nominated screenwriter Paul Schrader who is best known for 1976’s Taxi Driver, 1980’s Raging Bull, and 1988’s The Last Temptation of Christ, First Reformed is a first-rate drama exploring the complexities of religion, environmental issues, and self-reflection and is truly remarkable for the Oscar-worthy performance of Ethan Hawke. The plot follows the troubled Reverend Ernst Toller, played by Oscar nominee Ethan Hawke in perhaps his best role, who leads a very small congregation at an upstate New York Dutch Reform church that is about to celebrate its 250th anniversary. Struggling with alcoholism and past trauma, he finds little solace in his pastoral work and lives a lonely existence without practically any friends or family. His somber and quiet life changes course after meeting a pregnant parishioner named Mary, played by the terrific Amanda Seyfried, and her distraught husband who is an extremist environmental activist. While trying to navigate religious issues with Mary and her husband and coming to terms with the environment, the Reverend is under the guidance of his mother megachurch Abundant Life led by the influential Pastor Jeffers, played by Cedric the Entertainer in a very dramatic role, who has financial ties to the region’s largest polluter. The beautifully dark cinematography with a smaller aspect ratio and set during the depths of winter brilliantly underscores Reverend Toller’s quiet despair grappling with his own demons and conscience about the church’s involvement with what he sees as an immoral corporation. In the gripping climax towards the end of the movie, he contemplates committing a grievous act out of desperation and as his own form of environmental activism. Overall, I can say without any doubt that it is one of the best films of the year and Ethan Hawke’s mesmerizing acting should be universally applauded; therefore, I highly recommend the movie to true lovers of cinema.
Starring Johnny Knoxville famous for his TV series Jackass first released in 2000, Action Point is a rather stupid movie that is essentially a series of Jackass-like physical comedy stunts pretending to be a full narrative film. However, it should not be criticized too severely because it is exactly the type of movie you should expect from Johnny Knoxville and what appeared in the previews. The story follows the free-spirited owner of a cheap amusement park in the 1970s named D.C., played by Knoxville, who fights for his beloved park to remain open while trying to please his young teenage daughter nicknamed Boogie. The movie is told from the perspective of an older version of D.C. who recounts his memories about Action Point park to his young granddaughter. The amusement park is an extremely unsafe yet thrilling place for the local kids as well as the misfit employees who are often drunk or high. With the opening of a nearby corporate-owned amusement park and the arrival of a litigious real estate developer, D.C. struggles to keep up with competition and decides to up the ante by making the rides even more fun and dangerous. He also tries to connect with his daughter who lives with her mother in New York. The rather ridiculous premise is designed as justification for displaying all of the extremely dangerous stunts for comedic effect that Johnny Knoxville and his crew are known for in the TV show and subsequent movies. Overall, I found the movie largely without any redeeming qualities or even moments of laughter, and I could only recommended to those who really enjoy watching people hurt themselves or are fans of Johnny Knoxville’s work.
Based on a remarkable true story, Adrift is a fairly typical survival movie that is enhanced by terrific acting performances and realistic and beautiful cinematography. The film follows the 23-year-old Tami Oldham, played by Golden Globe nominee Shailene Woodley, who travels the world away from her hometown of San Diego and finds herself on the island of Tahiti where she meets the handsome 34-year-old British sailor Richard Sharp, played by Sam Claflin. Through a series of flashbacks, they fall in love and enjoy sailing around the South Pacific Islands on his small sailboat that he built himself. Eventually, a couple who are friends with Richard ask Richard and Tami to take their 44-foot sailboat over 4,000 miles back to San Diego. They set out for their journey in October 1983, but tragedy strikes when their boat is heavily damaged by an unexpected Category 4 hurricane in the middle of the Pacific Ocean. Richard is severely injured so Tami must take on the duties to try and survive with the sailboat missing its sails and all navigation and radio equipment inoperable. As the days progress, Tami is in an increasingly dire situation as food begins to run low and the boat is many miles away from land. She decides that the best hope for survival is to head for Hawai’i and must navigate only using the primitive tools of the sextant and following the stars. At some point, the audience realizes the extent that her mental state and hallucinations impact her ability to think properly and ultimately survive the ordeal. Overall, I found it to be a somewhat compelling survival adventure movie that differentiates itself from the rather generic formula of the genre by having a dynamic and raw performance from the talented young actress Shailene Woodley.
Produced by Jason Blum who is best known for horror films and the Academy Award-nominated Whiplash released in 2014 and Get Out released in 2017, Upgrade is a surprisingly fun and exhilarating low-budget sci-fi film that has a uniquely creative script filled with tongue-in-cheek humor and gruesomely violent action sequences. Played by television actor Logan Marshall-Green, Grey Trace is living a peaceful life as a stay-at-home husband who enjoys working on classic cars and is happily married to the beautiful Asha until tragedy strikes after he and his wife are viciously attacked, which leaves him paralyzed. Depressed over his condition and the loss of his wife, Grey agrees to participate in a secret futuristic experiment offered by tech mogul Eron Keen, played by the creepy Australian actor Harrison Gilbertson, that has the ability to restore his body functions to normal. Eron has developed a technological device called STEM that when implanted gives the person super strength and increased awareness by bridging its advanced technology with the human body. Grey uses his new abilities to track down and brutally hunt those responsible for his wife’s death after the police investigation led by Detective Cortez, played by Betty Gabriel best known for her role in Get Out, appears to go nowhere. Eventually, he learns that STEM can talk to him and ultimately take complete control of his body even against his will. Reminiscent of the filmmaker’s other work, especially the Saw film series first released in 2004, the fight scenes are extremely graphic but are choreographed like some sort of robotic dance in which Grey is viciously able to dispatch his opponents. As the body count rises, he discovers that there is a dark and mysterious conspiracy that motivated the initial attack that left him paralyzed. Furthermore, the twist ending makes for even more of a thrill ride that was unexpected from the beginning. Overall, I found it to be a thoroughly entertaining action sci-fi flick that feels like a midnight B movie while also being a smart movie that explores the implications of technology and surveillance.