The Shape of Water

Directed by critically acclaimed Mexican filmmaker Guillermo del Toro who is best known for 2006’s Pan’s Labyrinth and 2004’s Hellboy, The Shape of Water is a beautiful and strange fantasy drama benefiting from evocative cinematography and terrific acting performances from a stellar cast. Set in early 1960s Baltimore, the story follows Elisa Esposito, played by the always brilliant Golden Globe winner Sally Hawkins, who is a lonely and compassionate mute woman working as a janitor for the mysterious Occam Aerospace Research Center. Her life dramatically changes when a new so-called Asset arrives at the laboratory after being discovered by the vicious Colonel Richard Strickland, played by the remarkably creepy Oscar-nominated actor Michael Shannon. Primarily living a quiet life alone with the exception of her charming coworker Zelda, played by Oscar winner Octavia Spencer, and eccentric neighbor Giles, played by Oscar nominee Richard Jenkins, Elisa develops a very close and warm relationship with the Asset, a sea creature that somewhat resembles a human. Strickland along with his overly officious boss General Hoyt, played by Nick Searcy, only see the Asset as a scientific experiment who can possibly help with space technology and allow the United States military to have a competitive advantage over the Soviet Union. Fully aware that the military leadership has plans to exterminate the Asset so that it cannot fall into the hands of the Soviets, Elisa devises a plan to free the Asset from the laboratory with the help of Zelda, Giles, and the secretive scientist Dr. Robert Hoffstetler, played by Michael Stuhlbarg best known for his role on the HBO TV series Boardwalk Empire. Although it is a very peculiar story and features a somewhat grotesque fantastical creature, the movie becomes something much more than simple fantasy; the dark and mysterious setting created by the mesmerizing cinematograph blends with the powerfully poignant emotions of the characters to create a very special movie. Overall, I found it to be one of the best films of the year despite probably being one of the weirdest movies that the audience will see; even though the subject matter may not be for everyone, it is definitely a very worthwhile cinematic experience.

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