Papi Chulo

Written and directed by the Irish filmmaker John Butler, Papi Chulo is an entertaining comedy drama about an unlikely friendship between a white weatherman and a Hispanic day labor and attempts to provide a glimpse into the intersection between two different cultures. The story revolves around a depressed local TV station weatherman in Los Angeles named Sean, played by the handsome Golden Globe winner Matt Bomer, who is forced to go on leave after an on-air meltdown. Not knowing what to do with his spare time and still recovering from becoming a newly single gay man, he is determined to repaint his patio after moving a large tree and eventually resorts to hiring a Hispanic day labor waiting for work outside of the nearby hardware store. Over the course of the movie, Sean tries desperately to become friends with Ernesto, played by Alejandro Patiño, despite the language and cultural barriers between the very different men. Ernesto is befuddled by Sean’s desire to do activities with Ernesto that very much resemble things to do on a date. There are a few scenes that are ridiculous in their appearance that make for funny moments, including both of the men rowing on a lake, going for a hike, and going to parties together. Towards the end of the film, we learn that Sean is in somewhat more of a mental breakdown that first realized because of a recent tragedy, and his bond with Ernesto is primarily the result of him being scared to be alone. Overall, I found it to be a movie that has the best intentions of telling a heartwarming story of unexpected friendship that occasionally borders into cringe-worthy moments reminiscent of the criticized 2018 movie Green Book, but, for the most part, it is a endearing film exploring the comedy and drama of everyday life.

Toy Story 4

The fourth installment in the beloved computer animated Pixar Toy Story series that began with the original released in 1995, Toy Story 4 is a clever and bittersweet follow-up to the widely popular Toy Story franchise and lives up to the other movies that brings back nostalgia for the original characters while also presenting new and fun characters. The movie follows the group of Andy’s toys as they have been the toys for the kindergarten-aged Bonnie for several years, and they face a new challenger for Bonnie’s affection as she heads off to kindergarten. Woody, voiced by Tom Hanks, is still the leader of the toys but has recently been left out as Bonnie decides to play with other toys, including Buzz Lightyear, voiced by Tim Allen. One day at kindergarten orientation, Bonnie makes her own toy made from a spork and other craft supplies and names him Forky, voiced by Tony Hale. Woody encourages Forky who insists he is only trash to stay with Bonnie as her new favorite toy that can help guide her through kindergarten like Woody did for Andy years ago. Struggling to keep Forky with Bonnie, the family goes on a road trip with the toys and a cute and humor-filled adventure begins as Woody encounters new and quite scary toys in a small town antique shop. Always saddened by the loss of the shepherdess Bo Peep, voiced by Annie Potts, Woody discovers a possible clue to finding his love Bo again. However, Woody along with the other toys, including his best friend Buzz Lightyear, face obstacles to returning to Bonnie and finding Bo Peep with the appearance of a devious old doll named Gabby Gabby, voiced by Christina Hendricks, and her creepy ventriloquist dummies. My favorite part of the movie is the appearance of the character Duke Caboom, voiced by the perfectly cast Keanu Reeves, who is a Canadian daredevil toy and is a laughably depressed toy because he cannot do as advertised. filmmakers and animators do a brilliant job of realistically recreating an antique shop and carnival to replace Andy’s and Bonnie’s bedrooms as the more expansive settings for the characters’ unique adventures. Overall, I found it to be a charming film that was somehow able to continue the magic and witticism of the original released almost 25 years ago and appeals to both adults and children as a result of its remarkable ability to entertain while also teaching lessons about growing up and loss.

Shaft

The fifth movie installment in the Shaft franchise first started with the original released in 1971 starring Richard Roundtree, Shaft is not the best movie you will see this summer, but it definitely was an entertaining film with a charismatic cast of characters and harkens back to the original blaxploitation version but with the twist of making it more of a comedy. The plot follows the son of John Shaft II, played by the suave foul-mouthed Oscar nominee Samuel L. Jackson who reprises his role from the 2000 spinoff, nicknamed JJ, played by Jessie T. Usher, who is a smart straight-laced MIT graduate now working as a data analyst for the FBI. After the mysterious death of his childhood friend, JJ along with his other childhood friend Sasha, played by the beautiful Alexandra Shipp, investigate what actually happened to their friend who was a war veteran and recovering drug addict. Eventually, JJ reluctantly realizes that his estranged father known for his borderline illegal yet extremely effective private investigator skills has to help them navigate the underworld of Harlem. He enlists his father’s help against the wishes of his mother Maya, played by Regina Hall, who left John for endangering JJ as a child. Just like the original Richard Roundtree character, Jackson’s character is very much a ladies man who cares very little for emotion and is often giving profanity-laced outbursts, all the while protecting his neighborhood from criminals. The film is more of an action comedy that does not take the extremely outdated and chauvinistic Shaft character too seriously and definitely does not condone his behavior that is considered controversial according to today’s standards. Towards the end of the movie as they get closer to a resolution and find the villain, JJ’s smooth-talking grandfather John Shaft, played by Richard Roundtree as the original character, makes an appearance to help out the younger Shafts. Overall, I found it to be an enjoyable movie that does not try to elevate the original asource material but rather attempts to present a different type of Shaft movie, full of often vulgar humor and outrageous situations.

Men in Black: International

The fourth installment in the Men in Black film franchise first started with the release of the original in 1997 with Will Smith and Tommy Lee Jones, Men in Black: International is an average entertaining summer blockbuster that is not as bad as critics have proclaimed and the strongest asset of the movie is the dynamic chemistry between the two protagonists. A spin-off of the original, the movie follows the young and new female Agent M, played by Tessa Thompson best known for her role in the Creed movies, who becomes a probationary agent after tenaciously trying to find the secret agency following an experience as a young girl. The head of the United States division Agent O, played by Oscar winner Emma Thompson, sends her on a mission to help her colleagues in the London division led by Agent T, played by Oscar nominee Liam Neeson. There, she is teamed up with the popular yet recently reckless Agent H, played by the charismatic Chris Hemsworth, to eventually track down an extremely powerful alien force that could destroy the world. The two agents who have a playful and entertaining rapport find themselves traveling throughout the world, including Marrakesh and Paris, to save humanity and all friendly alien races. They are later joined by a wisecracking small alien creature named Pawny, voiced by the funny comedian Kumail Nanjiani. Along the way, they discover that not everything at the agency is as it appears and several plot twists develop as a result. Like the other installments in the franchise, the movie does a good job of creating fantastical alien creatures that are not scary but rather funny and endearing and are terrifically captured by CGI that has vastly improved over the years since the original. Overall, I found it to be a good movie to pass the time that brings back good memories of the original film and is more entertaining than the critics would have you believe.

Late Night

Directed by Nisha Ganatra best known for her work on the award-winning TV show Transparent and written by Mindy Kaling best known for her hit TV show The Mindy Project, Late Night is a terrifically entertaining comedy about a fictional late night comedy show like The Tonight Show hosted by the only female in the industry and is remarkable for its first-rate acting performances, especially from the always terrific Emma Thompson. The story revolves around the late night comedian host Katherine Newbury, played by Oscar winner Emma Thompson, whose long-running show on a major television network is struggling in the ratings as it becomes increasingly irrelevant in today’s fast-paced news cycle and social media influence. In a last-ditch hope of revitalizing the show, the producers and network force Katherine to make a diversity hire by hiring its first female writer who happens to have no professional comedy experience but is very energetic. Although the male-dominated writer’s room and the very stubborn and demanding Katherine does not like the new hire and her new ideas at first, the Indian-American writer Molly Patel, played by comedian and actress Mindy Kaling, slowly becomes friends with Katherine and helps the show rebuild with her fresh views of comedy. Katherine becomes more receptive to Molly as her personal life begins to fall apart, especially with her rapidly ailing husband who is played by Oscar-nominated actor John Lithgow. Even more pressure is added when the head of the network, played by Oscar-nominated actress Amy Ryan, threatens to replace the well-respected veteran host Katherine Newbury with a younger male comedian whose comedy is edgier to appeal to larger audiences. What I particularly liked about the film is its behind-the-scenes look at what happens on a daily basis in the offices of a late night TV show and even brings in the real late night host Seth Meyers for a cameo to create a level of authenticity about the industry. Overall, I found it to be a highly entertaining film about comedy that itself is very funny and relies on a highly talented cast to effectively illustrate what happens on the set of late night television and what it must be like if there was a major female host.

Aladdin

Directed by Guy Ritchie best known for such comedy crime films as 1998’s Lock, Stock and Two Smoking Barrels and 2000’s Snatch, Aladdin is a live-action remake of the classic Disney animated movie released in 1992 that is full of CGI spectacle but does not come close to the original with its remarkable voice acting of Robin Williams. Set in a fictional Middle Eastern kingdom, the story follows the street thief Aladdin, played by Canadian actor of Egyptian ancestry Mena Massoud, who falls in love with the Sultan’s daughter Princess Jasmine, played by English actress of Indian ancestry Naomi Scott. After he is led to a secretive cave by the villainous advisor to the sultan Jafar, played by the Dutch actor of Tunisian ancestry Marwan Kenzari, Aladdin comes into possession of a magical lamp after he steals it from the power-hungry Jafar. Aladdin soon discovers that the lamp contains the powerful and magical Genie, played by a blue colored Will Smith, who enjoys putting on a show and making jokes but also has the ability to grant Aladdin three wishes. However, Will Smith’s character comes off way too silly and does not even come close to replicating the comedic genius of Robin Williams’ Genie. Aladdin decides to use the wishes to better pursue Princess Jasmine as his love interest and one way to do that is to magically become a prince from an unheard-of land. Despite the helpfulness of Genie who is obviously the comic relief of the movie, the situation becomes complicated especially with interference from Jafar who wants to become Sultan by all means. Similar to the original, the movie is filled with sometimes random musical numbers that are not quite as effective as they were in the animated version. Overall, I found it a mildly entertaining film that does a good job of creating a fantastical world while also importantly using a cast largely composed of actors of Middle Eastern descent, but it also beg the questions of why did the classic animated feature need to be remade and whether Guy Ritchie and Will Smith were the right fit for this particular movie.

Booksmart

Directed by actress Olivia Wilde in her directorial debut, Booksmart is an excellent and exceedingly funny coming-of-age movie that takes a refreshingly new spin on the rather tired genre by relying on a talented young cast and comedy that is updated for modern culture and social norms. The film follows two best friends Amy, played by Kaitlyn Dever best known for her role on the sitcom Last Man Standing, and Molly, played by Beanie Goldstein best known for her role in 2017’s Lady Bird, on the eve of their high school graduation. Focused on academics for much of their school years in order to get into Ivy League colleges, they quickly realize that their fellow party-going classmates also were able to get into the same good schools. As a result, they decide to have some fun and go to parties that they have missed out on before they graduate and go on to college. At first blush, it feels like your typical vulgar high school comedy and a girl version of 2007’s Superbad. However, it is a very different movie that is full of heart by exploring the two protagonists’ lifelong friendship and presents a non-judgmental view of female sexuality as well as Amy’s homosexuality that is shown as not a big deal when talking about her crush on a fellow female classmate. The night is full of unexpected antics in which they encounter their classmates who are quite the characters but are generally nicer than what they appear to be at school. Most of the actors are relatively unknown, which helps the movie have a more realistic feel, but the film also includes such veteran actors as Jason Sudeikis who plays their principal, Lisa Kudrow who plays Amy’s mother, and Will Forte who plays Amy’s father. Undoubtedly, the terrific acting performances given in the movie by the many young actors will help launch their careers much like Superbad did for Jonah Hill and Michael Cera. Overall, I found it to be a surprisingly smart and kind-hearted teenage comedy that is the perfect showcase for the truly talented cast and first-time director Olivia Wilde. If you are looking for a highly entertaining movie, albeit one that can be inappropriate at times, then this first-rate comedy is right up your alley and should be seen as soon as possible.

The Hustle

A female-led remake of the 1988 movie Dirty Rotten Scoundrels that itself was a remake of the 1964 movie Bedtime Story, The Hustle is a shockingly bad and largely unfunny movie that had great potential with its casting of Anne Hathaway and Rebel Wilson but somehow the filmmaker and screenwriter failed miserably to use their proven acting and comedic talents. The plot revolves around a first-rate con artist living in the south of France named Josephine, played by Oscar winner Anne Hathaway with a fake and annoying accent, who uses her sexuality and wits to swindle wealthy men. Her work as a con artist is interrupted by a foul-mouthed Australian small-time con artist named Penny, played by the usually funny Rebel Wilson, who is also preying on the same gullible targets. They enter in a competition to see who can convince a young tech millionaire to give them half a million dollars. A majority of the movie is filled with the stupid and gag-worthy antics the women use, some of which are borderline offensive by using humor about the blind. Eventually, they discover that they themselves are possibly victims of an even more elaborate scheme and must find a way to work together to avenge their losses. The only part of the film that is somewhat enjoyable is the beautiful scenery and fancy houses and cars that are stereotypical for the wealthy enclaves of the French Riviera. Overall, I found the film to be rather disastrous for a project featuring two normally talented actresses and would not recommend people waste their money at the theaters but, if you must see it, wait until it is released for free at home.

Pokémon Detective Pikachu

Based on the internationally popular Japanese fantasy video game and television franchise Pokémon first created in 1995 and the 2016 video game also named Detective Pikachu, Pokémon Detective Pikachu is a light-hearted and cute family film that will surely delight fans of Pokémon while also appealing to other audiences looking for silly and funny entertainment. It takes place in a fantastical world where Pokémon, adorable creatures with special powers, and humans live together in which most everybody has a Pokémon companion. The movie follows a young insurance salesman named Tim Goodman, played by Justice Smith, who always had the dream of becoming a trainer for Pokémon to fight in battle against other Pokémon. When he learns that his estranged father who is a well-respected detective has disappeared, Tim finds himself in Ryme City where humans and Pokémon live harmoniously together to gather his father’s belongings but eventually is caught up in a mystery to discover what really happened to his father. Unexpectedly, a talking Pikachu Pokémon, voiced by the perfectly casted Ryan Reynolds, appears to Tim at his father’s apartment, and the bewildered Tim discovers that the very sassy Pikachu is his father’s partner. The rest of the film takes the audience on a colorful adventure where we meet a wide variety of Pokémon and evolves into a fairly funny movie with the comedic witticisms of Ryan Reynolds’ Pikachu character. The duo meet up with a young intern hoping to be a reporter named Lucy Stevens, played by Kathryn Newton, who helps them progress in their investigation of Tim’s father’s disappearance. The case leads them to a mysterious scientific lab run by a company owned by the wealthy founder of Ryme City named Howard Clifford, played by Bill Nighy. Overall, I found it to be a surprisingly entertaining and charming movie as a result of the wisecracking Ryan Reynolds performance and the whimsical world of Pokémon enhanced by fantastical CGI.

Long Shot

Directed by Jonathan Levine best known for 2011’s 50/50 and 2017’s Snatched, Long Shot is an amusing comedy about an unlikely romance between two completely different people while also having the feel of the popular HBO comedy Veep with its humor involving a strong female politician vying for power. The film follows the highly respected and powerful United States Secretary of State Charlotte Field, played by Oscar winner Charlize Theron, who is contemplating launching a presidential campaign after her dim-witted boss, the president of the United States who is played by Bob Odenkirk decides not to run for re-election. Everything seems to go smoothly, with the help of her serious and straight-laced female chief of staff and male assistant, until she meets the profane journalist Fred Flarsky, played by Seth Rogen, who she used to babysit when he was a 13-year-old. After leaving his job as a journalist at a small newspaper after it is bought out by a large media conglomerates run by the conniving Rupert Murdoch-esque Parker Wembley, played by Andy Serkis disguised by grotesque makeup, the stereotypical stoner and relaxed Fred unexpectedly runs into Charlotte after being invited to an exclusive party by his wealthy best friend Lance, played by O’Shea Jackson, Jr. Eventually, against the wishes of her aides, Charlotte hires Fred to be one of her speech writers as she gears up for her presidential run. What happens next is rather unexpected for both of the main characters as they begin a whirlwind romance in which they fall in love as Fred travels the world with Charlotte who is busy with her job as Secretary of State. The movie very much reminds me of one of Seth Rogen’s breakthrough movies, 2007’s Knocked Up in which he enters into a romantic relationship with a beautiful woman out of his league. However, the film relies much less on the vulgar stoner humor typical of Seth Rogen and evolves into a multifaceted comedy subtly mocking current political affairs as well as following the more traditional romantic comedy genre. Overall, I found it to be an entertaining movie that brings out the seemingly realistic chemistry between Seth Rogen and Charlize Theron in a fun movie that makes a slight yet effective twist on stereotypical romantic comedies.