Directed by Rob Reiner who is mostly known for comedies, LBJ provides a fascinating historical look into the larger-than-life 36th President of the United States, unexpectedly played by Academy Award nominee Woody Harrelson, but,  unfortunately, becomes nothing more than a formulaic biopic that adds very little significance to the already robust cultural treatment of President Johnson. The movie is a series of flashbacks between the fateful days of November 1963 following President Kennedy’s assassination in Dallas and the early years of the Johnson Administration pursuing the monumental Civil Rights Act of 1964. It does a fairly good job of recreating the moments surrounding the JFK assassination, but it does not feel that remarkable since it has been depicted so many times in films and television. The main emphasis of the film is the emotional stress of LBJ witnessing the death of the American president at the same time that he finally achieves his lifelong dream of becoming president. I found the most interesting aspect to be the portrayal of the often difficult and toxic relationships between LBJ, JFK, and members of JFK’s inner circle, especially his brother Bobby who was the attorney general. When he finally ascends the presidency, LBJ must work all legislative and executive options to pass the controversial Civil Rights Act, which potentially alienates him from his former Democratic colleagues from the South serving in the Senate and House, including the more conservative Georgia Senator Richard Russell, played by Academy Award nominee Richard Jenkins, and more liberal Texas Senator Ralph Yarborough, played by Bill Pullman. The movie does a superficial job of delving into the emotions of LBJ and only provides a little insight into his special relationship with his wife Lady Bird Johnson, played by Jennifer Jason Leigh. Overall, I found it to be intriguing only for providing additional stories about such a complicated figure as LBJ, and the film feels lacking in providing a fuller picture of such a charismatic and dynamic president by just focusing on two very specific moments in the life of LBJ.

Based on a rather unusual true story, Professor Marston and the Wonder Women follows the personal life of the creator of comic book character Wonder Woman and his unorthodox relationship with his wife and lover who would  provide inspiration for his famous superhero. We first meet Dr. William Moulton Marston, played by Luke Evans who has appeared in several Fast and Furious movies and the 2016 live action remake of Beauty and the Beast, in 1947 as he is testifying to the Child Study Association of America who is concerned that Wonder Woman is exposing children to lesbianism and sadomasochism. The testimony is used as a reference to the many flashbacks that make up most of the film. In 1928, Marston and his brilliant wife Elizabeth, played by Rebecca Hall, are both professors of psychology at Harvard and Harvard’s all-female college Radcliffe who develop theories to understand human behavior. Marston is particularly struck by the beauty and intelligence of one of his students named Olive Byrne, played by Bella Heathcote, and recruits her to assist in the Marstons’ research. After they use their research to invent the lie detector test, Marston and his wife Elizabeth as well as Olive must grapple with the fact that they all three love each other. Due to the conservative values of the time, they must hide their polyamorous and highly sexualized relationship but, eventually, the rumors about the Marstons’ love life gets them fired from Harvard and Radcliffe. All three of them move to suburban New York where they raise Elizabeth’s and Olive’s kids with Marston while trying to make ends meet with Elizabeth as a secretary and Marston as an out-of-work psychologist. Inspired by their free love and penchant for sadomasochism with the underlying assumption of empowering women, Marston comes up with the idea of a comic book character sharing these attributes and calls her Wonder Woman. Over time, his work that also furthers his psychological theories is published under the pseudonym Charles Moulton by Max Gaines, played by Oliver Platt, who discovered Superman and would later become part of DC Comics. Marston tries to balance his increasingly complicated domestic life with the great success he enjoys with the creation of Wonder Woman. The revelation of their peculiar secret poses a real threat to their family staying together and his career as the creator of Wonder Woman. Overall, I found it to be a well-crafted film that provides unique and sometimes surprising insight into the origins of such a famous superhero as Wonder Woman, and it presents an unvarnished look into the largely unknown and often taboo issues surrounding polyamorous relationships. The excellent acting skills of the three protagonists help to enliven the truly fascinating story and lends the movie a sense of realism.

Based on a true story, Marshall is a well-crafted biopic about the early years of the first African-American Supreme Court Justice Thurgood Marshall during his time as a lawyer for the NAACP representing a black man accused of raping a white socialite. We first meet Marshall, played by Chadwick Boseman best known for his role as Jackie Robinson in 2013’s 42, as a crusading lawyer working for the then relatively small African-American civil rights organization known as the NAACP. As only one of the few full-time lawyers on staff, he is sent throughout the United States to represent falsely accused black defendants who are on trial primarily the result of racial discrimination. In 1941, the head of the NAACP recruits him to represent a black chauffeur named Joseph Spell, played by Emmy Award winner Sterling K. Brown, charged with raping the wealthy white woman he works for in the predominantly white town of Greenwich, Connecticut. Played by Golden Globe winner Kate Hudson, Eleanor Strubing claims that while her wealthy husband was away she was brutally assaulted, repeatedly raped, and thrown off a bridge by Spell. Unable to directly represent Spell as an out-of-state attorney, the brilliant Marshall must work with the reluctant local white lawyer Sam Friedman, played by Josh Gad, to develop a case and find evidence disputing the crime that Spell repeatedly says he did not commit. The filmmaker shows the meticulous and extremely smart detective and legal skills of Marshall to uncover the truth while being bombarded with racist attacks from the white community. Although the time away from his wife is often challenging, he bravely embraces his dangerous job because of his passion for equality under the law and respecting the Constitution. Racism was so prevalent at the time that even the prosecuting attorney Loren Willis, played by Dan Stevens of Downton Abbey fame, and Judge Foster, played by James Cromwell, clearly do not respect Marshall as a black man and blindly trust the evidence and witness accounts despite not crossing the legal threshold of beyond a reasonable doubt. Over the course of the trial, Friedman becomes a friend to Marshall and understands what African-Americans go through on a daily basis after he is attacked for helping Marshall and being a Jewish immigrant. The movie is also an excellent example of a tense courtroom drama that slowly builds up suspense to the verdict. Overall, I thought the film provides unique insight into the legendary Thurgood Marshall by presenting a relatively unheard-of case in his early career and how it forms the rest of his highly successful career leading up to his appointment as a Supreme Court Justice in 1967. The quality acting performances and writing creates an inspirational and compelling portrayal of the early Civil Rights Movement and the role of Thurgood Marshall and the NAACP.